_______________________________________________________________

Listen to me. Carefully.

Are you listening?

Good.

Don’t move.

Don’t say a word.

Before this gets out of hand, there’s something I should tell you….

 

ISSUE #4
(Michael J. Solender, Mark Joseph Kiewlak, Nora Ibsen, offbeatjim, Brittany Wallace, Robert Crisman, Michael D. Brown, AJ Dresser, Mary Mills, Richard Godwin/Photography by Kristin Fouquet)

* * *

SPECIAL #3
(Fiction by Miss Alister/Photography by Sarah R. Bloom/Produced by Walter Conley.)

* * *

ISSUE #1
(Quin Browne, offbeatjim, Roberta Lawson, Allie Dresser, Janelle Rene/Photography by Paul Dutra/Produced by Walter Conley)

SPECIAL #1
(Fiction by Kristen Michelle Håvet/Photography by Paul Dutra/Produced by Walter Conley and Paul Dutra)

ISSUE #2
(Bruce Brown, Amy Kelly, Quin Browne, Jeffrey S. Callico, Len Kuntz, Allie Dresser, Jodi MacArthur/Photography by Paul Dutra/Produced by Walter Conley and Paul Dutra)

SPECIAL #2
(Poetry by Kristen Michelle Håvet, Salvatore Buttaci, Lynn Alexander, Howie Good, Carla Criscuolo, Robert Crisman/Photography by Anna Szczekutowicz/Produced by Walter Conley and Paul Dutra)

ISSUE #3
(Alisa Rynay Haller, Robert Crisman, Lynn Kinsey, Miss Alister, Howie Good, Paul D. Brazill, Tom Leins, CK Black, Richard Godwin, Lena Vanelslander/Photography by Katie Stokes, XactoInTheBox, WonderfulUgly/Produced by Walter Conley and Paul Dutra)

______________________________

(Photograph copyright©2009 by Walter Conley)

________________________________________________________________

THE SALVATION SKITS
by Miss Alister

Photography by Sarah R. Bloom

________________________________________________________________

I. The Need

Just before dawn, Ray and Val stepped over the lifeless bodies sprawled on soiled couches, chairs, floors, and left the dead party and its soggy stench. They got into Ray’s beat-up Chevy van and did a line to keep them awake on the drive to Denny’s. They’d spent most of the night apart from one another, caught up in a vortex of sick fucks and drugs. It’s not the way Ray wanted it, but Val had a desperate edge to her these days and he didn’t want to lose her. They ate their Grand Slams in silence, neither wanting to tell the other just how far into perversion they’d gone, but silence is the biggest tattle tale. So they shifted to small talk to shut it up and tried to enjoy the tail end of the coke high for what it was apart from the debauchery.

Back in the van, they did another line to get them to their shithole apartment on the south side. The more distance that got put between last night and them, the easier it was to fool each other back to the comfort of oblivion, until Val saw the church and the people queuing up. She put her hands on the dash and sucked in air so severely, Ray jerked the wheel to avoid imagined doom. “Fuck, Val!” But she didn’t give a shit if his heart blew up at 160 beats per minute, just demanded he pull into the church parking lot and either go in with her or wait for her or leave her there, she didn’t give a shit about that, either.

This happened a fair amount lately, the after-party Pavlovian remorse and desire for redemption on seeing a church. Val grew up conditioned to believe she could find something called God only within the walls of a steepled building. So Ray pulled in and parked on the far side of the lot. Everybody’s gotta do their thing, find what they’re looking for no matter how long or hard a way it is to go. Val would be out of there as soon as her high wore off and she realized she was sitting in a sea of flowered old lady dresses and suits, dressed like a tart. He’d wait for her as always, say a few prayers of his own out where they’re more likely to count for something, maybe catch a few winks if the timing’s right.

Ray watched Val shake her tight ass around to the front of the van and head toward the church, her high heels clicking and her tits jiggling, trying to spill out of her top. She’d pasted a smile on her face that Ray imagined felt to her like it was sweet, but it came off more Jezebel than Ruth. He laughed, slid his seat back and jacked off. One prayer answered, just like that.

________________________________________________________________


________________________________________________________________

II. Pick-up Line

Val smiled her way up the church steps, shook a few hands, spoke a few saccharin words, wanted to be liked. She felt a camaraderie with these people, a warmth in her heart that let her know these were her people and she’d be back again, every Sunday. She would. She felt excitement, like this might be the day that the miraculous change would happen and stick within her like drinking and drugs had stuck within. Swap one religion for another, just like that, because with God anything is possible. With every step toward the sanctuary, she felt that more strongly. Reverence was an awesome drug indeed.

A rosy-cheeked young man stepped up to usher her to a seat. With a little work, he could be hot she thought. She smiled and winked at him when he handed her a bulletin. He blushed and hastened away. Shit. She didn’t mean to fuck up like that. She sat down and smoothed it over in her mind, made it like it never happened. She concentrated on the wavy, slow-mo organ prelude, some of the gazillion organ pipes pumping out flutes and cellos and oboes. Amazing contraption. She wished she knew how to play. Oh, the things she would accomplish when she was clean! She closed her eyes and smiled. Dream, baby, dream.

Val felt a swish of air and opened her eyes to a pale, young woman sitting down next to her. She looked to be around her own age, somewhere in her mid- to upper twenties, anyway. She was stick-thin, swimming in a flowered old lady dress with a lace collar. And her look couldn’t have been plainer: glasses, no makeup, stick-straight mouse-brown hair held back on either side of her face by baby barrettes. She was so sweet, though, offered Val her hand and introduced herself as May. Val smiled warmly, took May’s limp hand and introduced herself back. She could feel genuine goodness coming off May and she basked in it, smiling, until the service began with the church announcements. Maybe May would be her homegirl in this new scene.

_______________________________________________________________

_______________________________________________________________

III. Foreplay

May locked her car door and started across the parking lot for the church, bible in hand. When she looked toward the church steps, a flash of red caught her eye. It was a blonde bombshell with a bouffant hairdo in a tight, bright red ruched bodice, a belt sparkling with red rhinestones, faded stretch jeans that hugged her Barbie legs all the way down to her ankles, and three-inch red alligator-print stilettos. May shuddered and relocated her bible tight to her chest, tried in vain to keep her eyes from snapping back to the red flash.

The sight of the red woman was just too sensational to resist, and May succumbed to the urge to blatantly gape at her, endured too easily the shame she felt in doing it. God would get her for this, but some depraved part of her had risen up so radically and had so overwhelmed her that she concertedly turned from the choice to recite Philippians 4:8 over and over in an effort to right her sinful thoughts. Instead, she quickened her pace toward the church steps, calculating the angle of approach that would best allow her to get a glimpse of the red woman’s face without appearing to be trying to.

When she got close enough to estimate the woman’s age, she was taken aback by a pleasurable sense of identity on determining it to be close to her own age of twenty-six. Even though the red woman’s makeup was muted and mussed, like from a night of drunken revelry and maybe sleeping God knows where, it did little to detract from her allure. May consoled herself with the fact that it was still far too much makeup for church, too much rouge and black eye shadow and mascara to bring before a holy God.

May looked around at the other parishioners who were approaching and navigating the church steps and saw a mix of fierce whispering and shocked expressions. And some of them she could see were working painfully hard to appear nonplussed, to be like Jesus, to not stand in the way of letting this sinner get her God fix, for she might just be saved this very day. They were, all of them, woefully aware of their duties as Christians, and most importantly, as members of their fine church, to greet newcomers with warmth and love, but this was too difficult a situation.

The majority of the women simply didn’t know what to do, how to act, what to say, and so they nudged their men to go forward and do the dirty work. But the men were damned if they’d approach the red woman lest they appear to be pandering to their basest sexual desires and later be accused by a witness—walking by, across the street, say—who wasn’t fully apprised of this unique and delicate set of circumstances.

There was the odd matriarch who dared approach, either out of mean curiosity or a desire to feel the red woman out, to check her wellbeing, her state of mind, prepared to take matters into hand and turn her away should she be determined capable of causing trouble. Each of the daring ones ended up concluding their interviews with wry smiles and seemed satisfied enough to allow her to proceed into the church.

The greeters seemed to take their cues from these daring women and were stiff, but polite. The ushers all hesitated but one brave, young rosy-cheeked soul, who tightened his jaw muscles and stepped up to the task, smiled uncomfortably, bent stiffly forward and back in an abbreviated bow. The church was filling up quickly and the back of the church always filled up first with football fans and sleepers. So the rosy usher had no choice but to lead the red woman to the middle pews in a somber procession of two, her with her sex and him fending off a hard-on with an arsenal of holy thoughts.

May was next up to be seated, hoping she’d get the young rosy, but he’d made a beeline for the first old bag he could find, to balance things out. One of the venerable church fathers stepped up to her instead and smiled, whispered “Good morning, Miss May,” and waited for a signal from her regarding seating. May smiled and cast an exaggerated glance at the red woman and said to the usher, “I don’t mind,” to which he replied, “Bless you my child.” May lowered her eyes in mawkish humility and blushed. Indeed, she wished it was a desire to witness to the red women that drove her, and not the sick ache within, to be envied by women and lusted after by men.

_______________________________________________________________

_______________________________________________________________

IV. The Act

The imposing, white-haired Rev. Dr. Silbus McInnery sat in prayer in his favorite cushy chair in the fireplace room as he waited for his cue to enter the sanctuary and begin the service. One of the deacons rushed in with intent to prepare him regarding a flashy red-clad, improperly coifed woman whom his wife had found to be named Val. But the Reverend Doctor waved him away and continued to wait in his garden of prayer for the end of the church announcements. As soon as the Introit was begun, he got up and moved to the side door to the sanctuary, and when it concluded he blustered in, the wind made by the door causing his great robe to billow and his pulpit stole to flutter out to his sides and back.

He strode to the pulpit and grasped both wings of it with both hands and swept his smile mightily over the congregation. He did a glaring double take when his eyes took in the red flash of Val. And he inwardly cursed his humanity as he tried desperately to right his mind and unstick his eyes so that they might continue their godly sweeping straight into his booming Call to Worship. Val’s presence had taken him by such surprise that for the first time since his first pastorship, he truly felt as if he might not be able to carry the service. His mind displayed an array of prime excuses to depart, each with appropriate words of explanation and apology.

The assistant pastor came forward with a glass of water and whispered, “Reverend Doctor, your words may lead another soul to our Lord and Savior this day. Here is sustenance that you may continue in His name.” The Reverend Doctor grabbed at the glass and gulped the water and his eyes bulged. It was not water but vodka. He took another swallow, then smiled, full of love and recovery, and began his Call to Worship, “Great and gracious God, we gather before you this hour to promote the worship of God as revealed through Jesus Christ…” After that it was a piece of cake.

Midway through the sermon however, Val’s enthusiasm began to wane as her cocaine high gave way to the harsh consequences of twelve hours of hard partying and sex with strangers and the reality of a head pounding to the rhythm of sleep-or-die. She dug in her purse and popped a caffeine tablet, was so desperate she chewed it. She looked around at the sea of flowered old lady dresses and suits and ties. She looked down at her breasts oozing out of her sizzling red bodice, at her poured-on jeans and her glittery red nails and gaudy faux jewels, and she thought, “My God, what am I doing here?”

At the same time she felt as though the real Val inside the sex package was failing, dying, and she cried dry tears for that Val, so sad for her, so ashamed that she mostly stood by and watched the dying. These post-partying, high-flying attempts at redemption were poorly done farces, pure embarrassment, and she could never think clearly enough to do it right, to keep her shit together on a Saturday night so she could get up early and don a flowered old lady dress. Somehow, up against booze and drugs and sex, religion didn’t get it. Anger surfaced at that thought.

If she was incapable of dragging herself rightly to the altar to receive salvation, how would she get there? Who’s the intermediary that gets you from you to the Jesus who’s supposed to save you? The Holy Ghost? And where might it be found? Via prayer? And what if you won’t or can’t because it’s not your nature to dog prayer to the point of salvation and you weren’t brought up religious? Why should you be damned by your own DNA and screwed up childhood, two things you had no control over? Just exactly how is it that with God all things are possible? What are the mechanics of that? She couldn’t think, sat stone-faced in the hard, unfriendly pew, pissed and waiting to eject herself from this torture.

The Reverend Doctor was wrapping up. “…Father, may no one leave here without a sense of sinfulness and without calling upon You and thanking You for forgiveness already received. We pray these things in the name of our Lord Jesus Christ. Amen.” The air literally swooned with pure love and saving grace and the organist allowed it to blossom a moment before letting loose and taking it to greater heights with a resounding introduction to the crowd-pleaser, “Crown Him with Many Crowns.” But Val could stand no more, saw the congregation’s rising to sing as the perfect opportunity to run from this great, stiff place. She stretched her lips like a smile at May, plowed past her and walked down the never-ending aisle to the high arched doors, fighting like a wildcat to keep her chin up and look proud to be a sinner.

________________________________________________________________

________________________________________________________________

V. Release

Ray woke to the mad rattling of the van’s passenger-side door handle. He squinted his eyes toward the commotion and realized it was Val, shaking the shit out of the thing, hollering at him to open the goddamned door. He slid his seat forward, raked his hair back with his fingers and just looked over at her and laughed. She was beautiful inflamed with rage. He took his time reaching over to pull the lock up, and the instant he did, Val yanked the door open, jumped in and slammed the door shut like liquid.

She didn’t say a word, just flipped the visor down and stared at her face in the mirror. She saw the sagging raccoon eyes, blotchy cheeks and dry lips of a has-been hooker. Val slapped the visor mirror back up, turned toward Ray and glared at him, asked him why the fuck he lets her shake her smashed ass into Sunday morning church after partying all night. They both knew the answer—it was the only time she had the nerve—and so he said nothing. The exchange of looks was enough. Val snapped her head back forward, stared straight ahead and sat with her hands between her knees, her back stiff, her fierce will fighting back tears and losing for once. She bit her lip, got control enough to say, “I’m done trying, Ray.”

Ray swung his feet over the engine hump. “Here, Baby,” he said to Val. He wrapped his arms around her and held her, let her cry. She cried for herself, for again and again fucking up the whole concept of church and praying to be saved from the darknesses she felt powerless to break free from. And she cried for the congregation of proper church people that had to deal with the sight of her there in her sleazy outfit and red spiked heels. She thought of the church service, how she heard the words but couldn’t feel the words, until the congregation rose to sing the stirring final hymn. And now, relaxed into Ray’s arms, she felt the same pure love and saving grace coming through him that she couldn’t deal with in the church. She smiled. “Well fuck if you’re not my prayer, Ray. Show me the way.”

________________________________________________________________

________________________________________________________________

Miss Alister currently lives in New England but spent most of her years down south. The southern years were the widest-eyed ones that took in the mystique and the romance but found more beauty in the blues and poverty and sweet twangs and drawls and sleazy chicks and hobos crawling through the nights, all the gritty stuff of life in the unbearable heat. Her blog, “The Essence of a Thing,” can be found HERE.

* * *

Sarah R. Bloom is a fine art photographer living outside Philadelphia, Pa. with her daughter and a husband she imported from England. Her work has appeared in and around the Philadelphia area including The Art of the State show in Harrisburg in 2008. She began taking self-portraits in August of 2006 and began a project to take a daily self-portrait for a year (she did it for two years), and has cultivated the self-portrait as her primary (but by no means only) format for communicating her art. Sarah’s website, “Sad and Beautiful World,” is HERE.

Links to the original photographs @ flickr:

“Misguided angel/Day 89, Year 2″

“On the wayside”

“Where are you going?”

“Come, baby, reach me”/Day 95, Year 2

“His blind spot”

“Words fall through me”

________________________________________________________________

Produced by Walter Conley.

ISSUE #4 is scheduled for Jan 15, 2010.

Submissions are CLOSED at the present time, but watch for news on an upcoming project. Comments and queries to Walter at disenthralled2009@yahoo.com.

All material copyright©2009 by respective creators.

(Ken Atkins and the Honky Tonk Kind, photographed by Paul Dutra; from the series used in Issue #2. See link to the band in Contributors Online.)

__________________________________________________________________

Currently available to read at disenthralled:

ISSUE #1
(Quin Browne, offbeatjim, Roberta Lawson, Allie Dresser, Janelle Rene/Photography by Paul Dutra/Produced by Walter Conley)

SPECIAL #1
(Fiction by Kristen Michelle Håvet/Photography by Paul Dutra/Produced by Walter Conley and Paul Dutra)

ISSUE #2
(Bruce Brown, Amy Kelly, Quin Browne, Jeffrey S. Callico, Len Kuntz, Allie Dresser, Jodi MacArthur/Photography by Paul Dutra/Produced by Walter Conley and Paul Dutra)

SPECIAL #2
(Poetry by Kristen Michelle Håvet, Salvatore Buttaci, Lynn Alexander, Howie Good, Carla Criscuolo, Robert Crisman/Photography by Anna Szczekutowicz/Produced by Walter Conley and Paul Dutra)

ISSUE #3
(Alisa Rynay Haller, Robert Crisman, Lynn Kinsey, Miss Alister, Howie Good, Paul D. Brazill, Tom Leins, CK Black, Richard Godwin, Lena Vanelslander/Photography by Katie Stokes, XactoInTheBox, WonderfulUgly/Produced by Walter Conley and Paul Dutra)

_________________________________________________________________

Note on the location of pages: Regular issues are posted as sub-pages in the Issues section, Specials as blog entries (at the main site address disenthrallme.worpress.com). This allows me to prepare both at the same time. Permanent links to all can be found on the Issues page.

Thanks to everyone for coming by and coming back.

 

Walter

 

 

 

 

 

 

 

K r i s t e n   M i c h e l l e   H å v e t

“Train”

No matter; in the deepest of darkness
nearly-upon-water
the big train awaits.
She hails a taxi to the edge, where she will weep.
               Earlier she rises and mutters It’s time.
               She can feel it in her bones like the changing of seasons.
               Her body a gauge.
               The grey cat smiles to say he’s heard
               but he resents her rising.
               Her body’s warm like the unremembered mother
               and when cold rushes in his heart will break.
               He smiles regardless
               though all is mere conjecture.
               She moves out of bed
               gracefully one limb and then the other folding
               until all are upright generally.
               This tragic dancer bends towards the kitchen, to make tea.
From that day forward
nothing moved faster
than the train at the break of night.
His voice is fleeting now a whisper
and she catches it now.
Her body is light.
Along the rail
along the weather
the sleet thrown into the sea
this day moves fast
and rains down upon her gown.
She is tossing and dancing
her long limbs flailing
against the train
the ghost train
that frames the sea.
The cold always rushes in too quickly
and sends her back
along rocks that don’t whither
these days that don’t change.

 

 

 

 

 

 

 

 

 

 

S a l v a t o r e   B u t t a c i

“I Think The World Is Square”

I’ve taken long walks
Where I can see the horizon
Out there like the end
Of a highway
And I know when I get there
I need to be extra careful
Not to slip and plummet
To my death

I’ve seen those phony pictures
Where they show the planets
Like round balls in different colors
And we are led to believe
They’re spinning
Well, I don’t buy it
I think the world
and all that hangs

in galactic skies are square
as a child’s blocks
and all the people in it
are square with their ideas
locked in the space
of square brain pans
behind four square walls
boxed in lonely square cells

 

 

 

 

 

 

 

 

 

 

L y n n   A l e x a n d e r

“Squall”

squall. the
sudden snow
that hits my skin

is it him?
will he
come?
tonight. late. when I stare at branches scratching at the
sky
wanting my sky to feel as you feel
but you

are
shifty. irritated

where
can I lie? where can I be that flatmatte
photograph

unattractive.
can
I paint this white, pinch my skin to flush my blood?
pinch this
clit to feel in love, grab my always empty
passages? A mask, you ask?

squall.
the sudden snow
can I melt you on my tongue?

 

 

 

 

 

 

 

 

 

 

H o w i e   G o o d

“Where I’m From”

I came straight from work
to meet them on the corner,
but, of course,
they had already become
fine particles of smoke.
While I waited, I listened to music
for barbed wire and accordion.
The short days of winter
had sneaked up on us,
the sky like a fogged mirror,
the frozen puddles like pale bruises.
I stood there for what
seemed a lifetime,
naked by then and shivering
and with my hands raised
in the air, an unqualified witness
to an unspecified event.

 

 

 

 

 

 

 

 

 

 

C a r l a   C r i s c u o l o

“Morpheme”

Pebbles slip off our tongues,
too small to cause even a ripple
in the silence that constricts us,

each sentence a futile offering,
weighing down on the next,
collapsing whatever lay
injected in our words.
We are paper dolls,
flat and featureless,
cut to perfection. We will throw
our tattered bodies to the wind

and hope the air will carry us.

 

 

 

 

 

 

 

 

 

 

R o b e r t   C r i s m a n

“To Kim”

I fell so fast and so far
off the edge of that roof
on winged feet of clay
I guess I can’t blame you
for waving goodbye

I hit those indifferent rocks down below
left shards of bone that the rats wouldn’t touch
I relearned to walk
through the Bonneville Salt Flats
It took me 800 years…

A guy told me once:
Junkies beg monkeys
to hop on their backs
and ride like the wind
He said
that’s what love is

I don’t believe him

I remember you, Kim
You were cool to the touch
and under the skin
a roiling green sea
Ivory burnished by rage
with all your tears murdered
and locked in a vault

Your eyes were so calm they stopped breezes
your head cocked just so
seeking the sound of the one hanging note
that made sense
I wanted to see through your eyes

Then, nights and your smile
sharp-edged, a hot buttered knife
You whispered soft slurs in my ear
Our bodies in darkness
sang the old song
through bared teeth
and off-key sometimes…
Yet echoes lapped gently
as you closed your eyes
and then pressed against me
to sleep

Wide awake I would raft through wilds
your storms bathing mine in a light
in a forest
rainswept at the end of the world
a place that I’d never called home
till I met you

Then morning
The yellow sun bled
through the east bedroom window on Redwing
me blinking sleep
you in the mirror re-arming
You were vain as a cat, and so what
Your long stride into the wind
gave courage a name for the day

Our love you said later
was theft winging south
For me
what we had
were remembered echoes of home
The heart’s own deep need

________________________________________________________

All photography in this issue by Anna Szczekutowicz. See more at:

http://www.flickr.com/photos/annaszczek/

http://annarexic.deviantart.com/

_________________________________________________________

SPECIAL #1: Kristen Michelle Håvet

ISSUE #2

_________________________________________________________

disenthralled is produced by Walter Conley and Paul Dutra.  Contact Walter at disenthralled2009@yahoo.com

ISSUE #3 coming December 15, 2009.

SPECIAL #3: Miss Alister, January 1, 2010.

ISSUE #4, January 15, 2010.

All material ©2009 by respective creators.

INTRODUCTION

Between regular issues of disenthralled, I will be presenting a variety of artwork and written material in special editions. SPECIAL #1 features the story “Arkansas,” by Kristen Michelle Håvet. Kristen is an American-Canadian living in Vancouver, British Columbia, Canada. She is the founder and contributing editor of the online literary journal Glossolalia, specializing in flash fiction (and some non-fiction, under 500 words). Links to her journal and personal blog follow the story.

039

trainbrdge

039

ARKANSAS

Every night the dream starts with me pushing my body against a door that stretches up into darkness. I hear voices and they’re crying for me to save them, but all I can do is push so hard the door and my skin become one. I wonder for a moment if I am causing the fire; in dreams these things happen. My jaw will come unhinged, one side and then the other. By my own force my face will break.

The heat is real. An Arkansas summer’s morning is gliding in all raunchy like a cat in heat, and I am tired before I’m awake. I touch my face to make sure; it could never stretch that far. Right?

My jaw is killing me. Why do I need to push so hard? Why doesn’t the door just open? I close my eyes and lay back down. An overwhelming desire to bash my head against the wall rises like the violent Arkansas sun – quick, glaring, and distasteful. I don’t want to have these dreams anymore and I don’t want the fire or the fucking heat. But I have to leave soon.

I want to live in a land that has one unchanging winter. You’d have to shield yourself from blizzards so wild and icicles so huge they might decapitate you. It would be that brutal. In Arkansas you have the grand gestures of black willows and honey locust trees, but in the summer they drip and in the winter they break. Their shadows are shifty and uncertain, no matter what time of year.

It just happens to be summer again, and I’m looking for my own place. I have to get away from him. I manage to leave the house on time and drive along Prince Street from Conway, past blocks of ugly, matching houses. I wonder how people can tell which is theirs and then I remember they have Satellite. They are all marked and beamed by the same solitary one. Around and around the planet and there you are.

The colours of the houses and vehicles vary slightly, but not enough for anyone to see the whole spectrum. Then a stretch of land spreads out beyond to trick you into feeling you’ve reached Eden, and just before the river a fistful of houses rises where the green becomes more full. The house I’m moving towards stands solitary with a clear view of the Arkansas River. This river’s a tributary, flowing into something much greater and hungrier than itself.

When I look out at the river and to the south I can see mist coming off the Toad Suck Lock and Dam. I shake my head at the ridiculous name – the bastardized French for such a beautiful location, from back when traders had to wait long nights and longer days for steamboats to take them upriver. They had their way many times, and with language, too. Their flaws still garble our speech and even when we whisper.

“You must be Danika?”

I turn around to see her. This is the woman who lives on the main floor and I can’t quite tell her age. She rents out her upstairs and keeps the rest to herself, the advertisement reads. I notice her hair is dark violet in the sunlight and only at certain angles. She’s got sun-catcher hair, bright green eyes, and looks nothing like other Conway women. She looks nothing like most people.

“Yes, hi,” I say, my voice automatically smaller in these situations. I sound like a child.

She could be Oprah, if Oprah were white. My mind flashes back to five years old and I’m waking up to Oprah belly-laughing on television. Eating Cheerios in front of Oprah, enthralled with the crying women and suffering even then. Cheating husbands, back-stabbing twins – miscommunicated, excommunicated, years gone by, wasted, wasted….And milk dripping down to gather in my bellybutton.

“I’m Lily, hi,” she says in a voice deep like Cate Blanchett’s in that Bob Dylan movie. The contrast of our voices is killing me and for some reason this makes me blush.

“Nice to meet you,” we overlap exactly, and for a moment there’s a gargling hum like Tuvan throat-singing.

I follow Lily up the slope that leads to her house. It’s muddled white and has cracks along the edges to show years our eyes can’t see. This house has stretch marks and birthing scars. There are blood red irises lining the front of questionable lineage. I normally wouldn’t think such a thing but I wonder if they smell like their colour.

My jaw breaks into another one of its god-awful flares and I squint, but I hope it looks like I’m squinting from the sun. It isn’t you, Lily, or your house. Walking without falling is now all I know. Just don’t fall….just stand up.…keep your eyes focused….My thoughts jump and spark like a thousand palpitating hearts. But as the door opens into the front room, my firecracking jaw subsides.

“I hope you don’t mind the stairs. They’re pretty steep and I’ve fallen on them a time or two, but I don’t think you’ll have much trouble,” she eyes my entire body in one go, tilts her hand and motions up, “there’s no door at the top, but there’s the curtain.”

“No it’s fine, I’m fine with it.” I am.

Her green eyes gleam instead of sparkle and her hair is not so violet in here. If I never see the colour again it’s etched in my mind – the colour of swamp violets rising in lack of sun.

“I hope you like the River. The window juts out a foot or two so you have a view like no other,” her arm now out and wing-like.

The view is spectacular as she opens the curtain to show me. I’ve decided yes, of course. The mist rising off the dam is an omen. It’s a little like snow – like a small cluster of snow falling just on that spot and then melting, and falling, and now melting again. A little snow-globe over the waters that I can turn and turn, let fall and sink into itself without end, and even break if I feel like it.

“Yes. It’s perfect.”

Lily’s smile has never ceased and it doesn’t change, just stays steady. Not a huge smile, just a solemn grin-like pose her mouth makes. I decide that if there’s one person I’d die for, it’s Lily. The five year old with milk in her button rises like mist over the dam.

And then recedes.

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Kristen Michelle Håvet online:

 

 

GLOSSOLALIA FLASH FICTION

VESPER IN LIMBO

 

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Introduction by Walter Conley. Special Issue #1 photo by Paul Dutra; author’s photo supplied by Kristen Michelle Håvet. All material ©2009 by respective creators.

Read ISSUE #1 Here.

Read ISSUE #2 Here.

Submit for winter 2009/2010 editions and specials November 15 – November 22. Check afterword of ISSUE #2 for more details.